acreaturecalledgreed:

so heres a thing my mother always said to me growing up when i broke something on accident that i think is really important

and i know, from watching my friends and seeing their panic and terror when something broke, that not only were not nearly enough children told this thing, many children were punished in place of being reassured

and thats heartbreaking

so heres the words from my mom that i was always told, and theyre the same words that anyone who never got to hear them should hear now, courtesy of my mom, who has repeated those same words to many a friend of mine and now to you

if i ever broke anything, the first words out of her mouth would always be and have always been, “are you hurt?” 

i would say no

she would say, “thats okay, then”

and i would ask why

and she would say “because it was just a thing- even if its a nice thing, or an old thing, or an expensive thing, its still just a thing. it can be replaced, or we can live without it. there is only one you. there will only ever be one you. you will always be more important than just some thing.” 

spejoku:

judiops:

athenaltena:

ubercream:

mister-smalls:

ubercream:

mister-smalls:

Petition to sit down all the people who make coma theories about Adventure Time and tell them “listen, this fucking show is about the last human living in a post-apocalyptic world where deadly magic has been reawakened following a global thermonuclear war that wiped out the rest of the human species, how much fucking darker do you want it to be”

Even though I thought my first Creative Writing professor was kind of a douche, he made a good point about this. One of our first assignments was to write in this eerie, otherworldly style (we were mimicking a specific author whose name escapes me), so we had to write about eerie otherworldly things happening. It’s no exaggeration to say that more than half the class had a “big reveal” where we find out that the story’s strange events and themes are all in the mind of some person in an insane asylum, or someone having a drug trip.

My professor said something like, “you just successfully wrote a world that feels separate from our own, but got frightened last minute and shoe-horned in normalcy. You showed that you were afraid to commit to something different and interesting.” Though I’m typically a contrarian and a piece of garbage, I am inclined to agree with my professor. I feel like people who write coma theories and the like are afraid to accept that the world of the story is separate from our own. They like everything wrapped up in this crazy little realism box where nothing out of the ordinary happens in fiction.

you win the Best Addition to a Post prize

Thank you 🙂

This pretty well hits the nail on the head as to why I generally hate coma/dream theories and people who think they’re so fucking deep for coming up with it. In my book it’s LAZY, plain and simple.

I think the only times I can think of where “It was all a dream” really works are in pieces like Over the Garden Wall, Ink, Coraline, and Mirrormask. In all of those, the characters ‘wake up’ again in their ‘normal’ world, but there’s a very strong implication that the dream world is as real, if not more so, than the ‘real’ world, and the things they did in the dream world had a very direct impact on the waking world– not in an “I’m gonna be a better person” sense, but literally who lives and who dies at the end of the story.

Notably, in most of those, it’s stated flat-out within the first couple of minutes that the character in question is dreaming. It’s not a big reveal, it’s a fundamental detail of the setting.

If you’re gonna do a dreamworld, actually commit to doing a dreamworld.

Whatever it is you do, ACTUALLY COMMIT TO IT.

Another problem with coma theories in stories that aren’t specifically about a dreamworld is that it completely nullifies any character growth or change or hardship. None of it matters anymore, which is a betrayal of the audience’s investment in the world and characters. That’s why it feels lazy and unsatisfying- it makes all other plot threads and elements unnecessary.


http://hapsburg.tumblr.com/post/176832317513/audio_player_iframe/hapsburg/tumblr_p514064jFU1vhyken?audio_file=https%3A%2F%2Fa.tumblr.com%2Ftumblr_p514064jFU1vhykeno1.mp3

ithinkimdemi-iknowimobsesed:

pyocyanin:

pointedahead:

nero-neptune:

peachcrushedvelvet:

this is what plays when you’re dying and your life is flashing before your eyes

*puts this on my End Of The World playlist*

Ok @peachcrushedvelvet is 100% accurate but here are several other situations I feel this beautiful creation could apply to

1. End of the world type of experience as noted above by @nero-neptune i.e. meteors falling and people running, things exploding and desperately trying to survive

2. Desperately running through your house avoiding attackers (guns, projectiles, of some type)

3. You’re in a library and you accidentally knock something over which knocks over all of the shaves domino style and you’re running down the hallway with them falling in the background. 

Everybody please contribute

4. You finally experience love at first sight, but they’re in the middle of a bank heist and you’re getting caught in the cross fire

5. You’re getting arrested in roller skates at the laundromat

6. Intergalactic space travel in the form of a gay cruise

  1. you are falling off a very tall biulding

orion-rising:

Always be vague. Say I think they’re in today or not until later. If they press say it’s company policy not to give out the schedule. Most companies do have this and even if they don’t how would a stranger know. Don’t give out specifics, they can get people injured or even killed.

At my last job someone came up and asked when “Sarah” was working next. I didn’t tell him and then texted her a description, turns out he was an abusive ex who had been stalking her. Don’t do this shit please.